Cityread Blog

How Much Has London Changed? – discovering the streets Dickens roamed
February 17, 2012

St Giles Rookery, courtesy of Camden Archives

‘I had my sixtieth birthday right there,’ the woman beside me informs me.

We’re looking at a drawing of the Polygon where Dickens lived in 1827. The picture is part of the Streets of Dickens exhibition at Camden Local Studies and Archives Centre.

‘There’s a wonderful old club. Down in the basement is where all the Irish rail workers in the fifties used to drink,’ the woman explains. ‘Amazing to think Mary Shelley once lived there too.’

For a moment I imagine Frankenstein and Fagin and my own grandfather knocking back a few pints together. I’d bet they’d have some stories to share. This is not perhaps as fanciful as it sounds. For in London the past and the present are constantly rubbing shoulders. Who knows what the ghosts talk about?

I’m ushered upstairs to a room above the archives. It’s packed with people who’ve come to spend their lunchtime listening to historian Jeff Page’s talk on Dickens’s connection with the local area. Extra chairs are pulled out and everyone shifts around to make sure the person behind can see the projector slides properly.

Page begins by reading an extract from Gone Astray, an autobiographical piece Dickens wrote about getting lost in London as a young boy. He’d been taken to see Northumberland House and become so distracted by the famous lion hanging over the gateway that he got left behind.

Page asks the audience if they can identify the shadow falling across Northumberland House on the slide? It turns out to be Nelson’s Column. The whole building, and indeed the whole area of tiny back alleys, with such curious names as Porridge Island, was cleared to make way for Trafalgar Square.

Yet as Page projects his impressive collection of photographs, drawings, watercolours, and sketches, it as if that other past London were still hiding in the shadows just waiting to be illuminated. The names of infamous long vanished pubs still have a lovely ring to them. Names like ‘The Haunch of Venison’ where if you bought a pint, you got a woman and a bed thrown in for no extra cost.

Page asks the audience if they can identify where a particular view of the Thames is now? ‘Just down by Charing Cross,’ the man beside me murmurs. Street names receive appreciative nods of recognition. This is a crowd that still intimately knows the London Dickens wrote so much about. Perhaps not so surprising when he lived just round the corner at 48 Doughty Street and only a few minutes. walk from Little Saffron Hill where Oliver Twist joined Fagin’s Den.

As I head back out into the freezing cold sunshine of early February, I make my own brisk way down towards Charing Cross. I think about how Dickens used to cross the river to visit his family in Marshallsea Prison. I stop bythe church of St Martin in the Fields, which dates back to the twelfth century. There are poster boards outside showing an exhibition of photographs and creative writing by homeless people.

A rough sleeper called Tom has written ‘In so many ways we’re lucky these days. Walking down by the Thames you see the dirty old river going by and it reminds me of Dickens and the terrible life people lived back then. They literally had nothing. It makes me melancholic for the tragedies they had to suffer but also upbeat because there is so much more hope these days.’

Would Dickens have admired the optimism of this? Would he be depressed to know there are still poor and destitute people without shelter in the heart of London?

Streets of Dickens exhibition runs at Camden Archives and Local Studies Centre until December 21 2012

  • http://www.camden.gov.uk Felicity

    I think he might have been of the opinion that the poor are/could always be with us, but still would have been outraged by the disparity that still exists between the lives of the haves and the lives of the have-nots.

    When I walk around I am reminded of the Victorian style and look of the city, which has not changed.

A Week in December
By Sebastian Faulks

London, the week before Christmas 2007. Over seven wintry days, we follow the lives of seven characters across the city, from a hedge fund manager to a Tube train driver. Above the complex patterns of modern urban life, the writing on the wall appears in letters ten feet high, but the characters refuse to see it . As the gripping climax looms, they are forced, one by one, to awake from their blinkered present to confront the true nature of the world they inhabit.

About Aoife Mannix
Aoife Mannix was born in Sweden of Irish parents. She grew up in Dublin, Ottawa and New York before moving to London. Her first novel Heritage of Secrets was published in 2008. She is the author of four collections of poetry; The Trick of Foreign Words (2002), The Elephant in the Corner (2005), Growing Up An Alien (2007) and Turn The Clocks Upside Down (2008). She regularly features on BBC Radio 4’s Saturday Live. She has been writer in residence for the Royal Shakespeare Company, the Poetry School, Spread the Word, All Change and Apples & Snakes. She has performed throughout the UK including at Latitude, the Big Chill, and Ledbury Poetry Festival. She has toured internationally with the British Council to China, Latvia, Nigeria, Turkey, Taiwan, Thailand, India, Norway and Austria. To find out more, please visit her website www.aoifemannix.com

About Sarah Parker
Dr Sarah Parker is an early career academic specialising in nineteenth and twentieth century literature. She is running this year’s Cityread Online Book Group.


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